What a Racquet!

June 1918 - June 1920

Jeu de Paume in Paris, France 1622

Most historians believe that tennis originated in northern France in the 12th century, but the ball was then struck with the palm of the hand, hence the name Jeu de Paume (game of the palm).  It was not until the 16th century that racquets came into use and the game was then called tennis.  Popular in England and France, it was played indoors and hit off the wall like another game we know today, Racket Ball.  Anyone who watched the fabulous series, Henry VIII, knows well that this was a favorite pastime of his.  And, it appears that Lettie and Polly also enjoy the game!  While the Davis Cup, a men's competition, began in 1900, women and young girls played for the enjoyment and sport of it only. 



Polly Playing Tennis

Sheila's Illustration

With gym clothing now in their wardrobe, and my love of play clothing for dolls, I decided that Lettie and Polly couldn't do without pretty tennis wear.  It can only be my guess, but tennis must have been traditionally played as summer neared.  Lettie's outfit comes from the June 1918 Betty Bonnet page, and Polly's from the June 1920 Good Housekeeping page.  I was also drawn to the color of Lettie's vest, a beautiful deep raspberry color, along with the fabulously ruffled collar with jabot.  Polly's would always appeal to me as I adore uniforms, sailor dresses, tops and jackets.  Anything with a nautical theme delights me and both girls' gym wear included the sailor collars, too.


Basket of Balls

While finishing the gym wear, I made Polly's little hat of navy Swiss straw since I had some on hand.  I matched this up with a 100% cotton fabric in navy, and a muslin top that would sustain a little embroidery.  This outfit, while very similar to her gym wear, had its own challenges.  Three rows of soutache had to be sewn to both the collar pieces and the cuffs.  I've found that if I cut a wider rectangle and stitched the soutache in the middle, I could then trim down the top for attachment to the sleeve without fear of losing the proper amount of navy blue fabric shown top and bottom of the soutache.  If you cut the cuff as you would an unembellished piece, you risk losing the look you're after should you discover that there isn't enough fabric on top to create the image.  Likewise, you've lost some nice soutache and the extraordinary amount of time it takes to sew the wretched stuff on straight!    With Polly's outfit, this is actually braid as it was thin as well as narrow.  Sometimes trims, like a real soutache, cannot be used as they will appear too bulky, and you'll lose the look you're after.  That's just one of the challenges in sewing for differently sized dolls.  What works for one, may not work for another. 

Lastly there was the embroidered flap on Polly's sleeve.  It is not a patch, but a flap done military style.  From Sheila's illustration, I had no idea what I was looking at.  There were chevrons, but no clear pictorial of the stuff at the top. I did a little research into military emblems from this era, and the closest I could come to was the cadet emblem.  Chevrons, and a rope circle with an eagle in the center.  The emblem is still used today for cadets.  Polly's flap was just too, too tiny for such detail, but I did manage a close version of what Sheila drew and what a true cadet emblem would appear like.



Sheila's Illustration

Lettie's outfit was definitely a challenge to me.  This is a time when I get to learn something new.  Pinning ruffle into little collar edges is no picnic, nor is sewing the exact top piece over that bulky ruffle.  Somehow it softly disappears into the seam, but its only by trial and error that you might discover this.  The jabot was another matter altogether.  I must've contemplated this for several days before figuring out just how to make it. 

The jabot on this collar is actually part of the ruffle in the collar, not a separate piece you can just stuff up there and sew to the neckline.  What I eventually did to make this happen, was begin pinning the ruffle from the back edge of the collar, around to the front, then draping it down and up in a loop, then finishing the pinning of ruffle around the rest of the collar.  I made two little rectangles of fabric, turning the edges under, then attached the top one first with a hidden ladder stitch.  I sewed on the row of buttons, then finished the back of the jabot the same was as the front.  This then hides all the gathering of the doubled-over ruffle loop.  The ruffle gracefully moves around the collar becoming the jabot, and ending in a symphony.  I felt very clever after achieving this!  But, like I said, it took me several days and much study to figure it out!  There's some good history on jabots, too.


Ruffled Collar

I couldn't wait to make the raspberry vest.  Perhaps in Lettie's day, it might have been a sweater vest, but I had this beautiful cotton silk on hand, and I don't knit.  It may have been wool, too, but the look on a doll would have been bulky considering the belt that threads through the slits in front.  I can see that all the skills and techniques I've taught myself are now paying off when it comes to assembling a new piece.  I did learn something new with the belt however.  And, that was how to make the fringe on the ends.

You cannot just sew loops of embroidery thread into the edge and trim them.  They pull and fall out!  I did do a little research on doll clothing fringe, but all I discovered was what I already knew about pulling threads out.  Then the light blinked on and I scurried upstairs to find this beautiful velvet scarf I own, dotted with rhinestones, and edged in fringe.  They created theirs by making small tassel like fringe.  With four strands of thread in my needle, I poked it through the edge, lengthened this so the same length hangs in front and in back, snipped it off, made one little knot at the top combining the eight strands together, and there you have it.  Eleven of these across each edge made my fringe.  Dexterity just happens to be a nice trademark of small paws like mine.  NOTHING I do is EASY!!!  Her skirt is borrowed from the canoeing outfit.

No outfit is perfect with its accessories.  So came the racquets and the tennis balls.  Each little "wooden" ball is covered in baby diaper felt, in two figure 8 pieces.  I had to make careful inspection of my dog's tennis balls to see how they were made.  Oh I looked!  I hunted the Internet for tiny tennis balls, but Barbie's were just too small.  Those beautiful tennis racquets are American Girl Molly's.  I simply took all the embellishments off of them, did a little sanding and restaining, and now Lettie and Polly have proper, early 1900's tennis racquets. 

I have made a miniature racquet before and a butterfly net, and I can tell you that anytime you can find a suitable piece that you can remake, do it.  Some of my friends guffaw at the mention of American Girl, but I began collecting the historical dolls and their collections back in 1989, and I can vouch that Pleasant T. Rowland never spared expense at the accuracy of the items.  Today, Mattel takes a lot of license, but I still enjoy them.

Next?  Golf.  Yes, Sheila drew golf outfits for her paper families, too!  These will sadly conclude the sports themed costuming Sheila made for the ladies and girls, but summer is nearing and there is always something up my little sleeve.  And I am looking forward to the golf sets!  I already have the irons, and I'll be making their bags.

Love,
Miss E. Mouse

Notice the belt through the slits!

Real Women - Real Tennis



From a magazine cover.



What beauty! Bought this one, too.

Military Style

Romance!

I purchased this postcard as a treat,

Something About That Yellow Dress

Polly's Yellow Chinese New Year Dress

I've done a few tough things with my designs, haven't I?  Certainly the white velveteen coats with ermine fur trim were a challenge.  And, the burgundy coat was no picnic either!  So one might conclude that this little baby doll dress for Polly would be a breeze.  Do I do anything that's a breeze?   No.  So now that we have that out of the way, and we understand that I paid my dues with it, let's talk about Polly's Yellow Chinese New Year Dress.

My Little Buttercup!

Let it be said that several dresses were made before this one made the cut.  Finding the right yellow was one of the things that had prevented me from making this several months back, and when I went to cut the dress from the patterns I drew, I chose a yellow cotton.  Why?  Because of the shade.  I'd imagined it in silk, but could never find the right color, nor type of silk, so cotton would have to do.  It wasn't until I had four nice "welt pocket slits", that I changed my mind.  It just didn't have the drape or richness I felt this little dress deserved.  Earlier I had purchased (twice!) a yellow cotton sateen from the U.K. that turned out not to be a true sateen, but more of what I would describe as a silk blend since it frayed like mad.  Still, I decided to work with this instead.

The slits caused me a lot of grief.  They had to be placed in just the right area, just the right length and width apart on the front of the dress or it wouldn't resemble the illustration.  Two had to be made on the back as well.  I've said it before, but dressing a doll is a lot different than painting a watercolor paper doll dress.  I will conclude early on here, that the outfit turned out much differently than I'd hoped for, so I'll shrug and proceed.

Notice the shape of the hat.

I did use a white silk for the collar and cuffs.  The dress is fully lined in the way I lined the green basket dress, which called for some pretty slick moves with the sleeves and cuffs.  I'm not sure I can describe this, but the lining had to be sewn to the sleeve edge leaving an inch unstitched.  The cuff then went on, the dress and lining turned inside out to finish that seam, then the cuff finished right-side out.  If anyone is interested in how this is done, I'll photograph it sometime, but you must first follow the Magalie Dawson technique of lining a dress.  I've used this technique beyond her tutorial, and have done some interesting linings with it.  They all finish the same, but some areas need to be sewn later for certain patterns.

I ran a pretty double-faced silk ribbon through the slits to make the sash, and I still contemplate whether or not a long self-made tie would have given it a more ruched look as in the illustration.  I doubt it.  Its only an inch wide so there's not much room for ruching.  I also did an embroidery stitch about 1 1/2" above the hemline to give it the "look".  I'm not sure what Sheila intended here, but its close enough. 

Baskets of Blue

As for the blue baskets of embroidered flowers, I wanted to try something other than tiny French knots.  So I looked up a tutorial on bullion knots and gave those a whirl.  Or twirl as the case may be.  I combined the two knots in the baskets to achieve the flow of flowers.  I recall loving the flower baskets on this dress most of all, so it was very important for me to make them beautiful.  And, I have to chuckle a bit now because they almost disappear from the overall presentation!  These, of course, were done after the slits were made, and free-handed (without a hoop), adding all the more difficulty to holding wee thread knots in place.  Some day I'd like to try bullion roses so the knots were good practice.

Polly Pratt's Yellow Kite

The parasol was the first piece I'd made, and that was back in February.  I'd found a long stemmed parasol, snipped off the end and added a wooden bead.  I recovered the parasol with a fiber paper, and painted Chinese characters in it spelling Polly Pratt's name, and something else!  Betsy would laugh knowing my memory is very poor, but it went something like, Polly's Pratt's Yellow Kite.  Yes.  That was it!  There weren't enough spaces for parasol, so kite did the trick. The Chinese do love kites.



Slits in the back for the sash.

And, in the last two days, I struggled over the hat.  I'd made an attempt at using this vintage horse hair braid that I purchased from a very old milliner's store in Southern CA.  Its a nylon sort of braid, and I knew it would be perfect for the hat giving it that banded look.  The lady who sold it to me talked to me for over an hour about their store, products, and this braid, and how to work with it.  I'm certain that were I making a hat for a person, it wouldn't have been such an issue, but for a 9" round head?  Murder!  I asked my friend, Arlene, who sews her own hats for Bleuette, if she had a clue as to how to begin this, and she only warned me it would be difficult, and wished me luck. She said it was the worst stuff to work with. But!  She also said if anyone could do it, I could.  Pumped with a boost of confidence, I began to climb the mountain.  Slipped a few times, too. 

For one thing this is nylon braid, not straw.  It doesn't behave the way Swiss straw does.  I tried gathering the edge to form a little circle to begin at the top of the crown and that didn't work.  Two rows down, I had a wee bowl.  I tried starting from the edge of the brim, but there wasn't a form to stick it flat down to!  So I slept on it.  The idea not the braid!  The next day, I thought I might begin smack dab in the middle of the crown with a circle that was slightly larger than Polly's head.  I'd read to use a zigzag stitch with such a braid, and so I began.  When it came time to start rounding the crown towards the middle, I'd go back and do a gather stitch along the edge, pull it, knot it, and begin the next row. 

The Hat

One of the tools that was most useful in getting a nice shape was my handy little travel steamer.  With the steam pumping merrily away, I pulled and formed the braid until it became a nice shape.



The Lining

Looking at the illustration I noticed the inside of the brim was yellow, and there was a light blue between the dark blue bands.  I chose to emulate this by lining the crown in a light blue muslin, and the brim in the dress's yellow fabric.  I still have to ask myself what Sheila had in mind when drawing this.  I doubt she expected someone, a hundred years later, would try and make this hat for a doll!  My guess is that it was a see through nylon braid hat and to make it look nice in the illustration, she used yellow for the inside.  We'll never know, will we.  Am I happy with the hat?  Give me some time to think about it.  I ordered some Royal Blue Swiss braid to make another hat just in case.  If I do this, I'll once again line the brim in yellow, but it won't have the banded look of the illustration, or the lumpy shape.  Let's be honest with ourselves, Miss E. Mouse, the hat may be too small.  It fits her head, but I half think that a bigger hat may have achieved the look I was after.  Hats were goofy looking during this era, so I'll give it some time and not pass too harsh a judgment...yet.

If you think I'm being to critical of this overall process, do remember that we need to be critical of our work in order to do better next time.  I see too many people throw something together and never give it a second thought.  My aim is to be just about as good as I can be and better.  I'm doing something a lot of people won't even try, and that's design my own patterns and try to figure out how to put them together.  There was a lady I wrote to recently, for whom I applauded her efforts in making a beautiful French regional costume for her doll.  She wrote back thanking me and stating she was in awe of what I could do with miniatures.  Miniatures?  !gasp!  I guess unless you're sewing for Bleuette, your work doesn't count for much. hmph

Below you'll find some photos I took of how I approached the horse hair braid hat.  I think its important to try new things and stretch yourself.  If you only do the same things over and over again, you'll get very good, and fast, at making them, but where's the fun in that?

This has been a long post and I can't thank you enough for staying with me - if you've gotten this far.  Your comments are most welcome and are always very encouraging.  Thank you!!

Next?  Something simple...please!

Love,
Miss E. Mouse

Beginning with a middle row

Going back to gather stitch

The top of the crown.

First phase of completion.  Two more rows were added and the hat steamed for a smoother shape.

CPR For the Mouse

Creative Process Resuscitation Needed!

And, you may ask, What is that?! Well, its Creative Process Resuscitation.  And, this is certainly what I needed after designing the patterns for Polly's Yellow Chinese New Year dress.  Oh, yes, I know.  Chinese New Year was some time back.  I truly hoped to be able to give this to her for Easter, the dress being yellow and all that.  But, I was tired, and needed a break to finish a second set of gym clothes for my own Lettie and Polly.  AND, make a football.  I'll spare you the finished product of the football, but it is out of nutmeg brown pigskin, and I doubt she'll ever really play with it.  The problem?  A little pointy on the ends.  Nothing a bit more stuffing wouldn't fix, but we must move on, mustn't we?

Nice Fit - Just 3/8" more needed on the collar

Recently a lovely woman from one of my groups wrote to ask me where I learned how to sew, and was so kind to tell me that she thought I was gifted.  That touched my heart so deeply.  Little do many folks know, but I once wished to be a clothing designer for people.  Canada College (pronounce with a Spanish n like can-ya-da), in the Bay Area where I used to live, offered a design program I thought I might get a degree in.  I'd even gone so far as to walk through the halls and rooms of the San Francisco fashion design institute, to see what it was all about.  Scared the heck out of me!  I'm very much an introverted little mouse, and the idea of driving such a distance two or three times a week, while working full time, unnerved me.  I wonder sometimes, what I may have learned at either institution that I have not taught myself over the last couple of years.  You certainly wouldn't be seeing me on an episode of Project Runway!

Drowning In Paper Towels

And, there you have it.  No Project Runway for me, just Project Paper Towels.  For some reason the neckline of this particular dress, coinciding with the armhole openings, gave me the hardest time.  Do understand that we are dressing a doll for perfect fit.  I suppose you could conclude by looking at this dress, that all you'd need is a circular neck hole.  Nope.  Not even close.  As you can see from the final mock up fit of the neckline, and the pattern of the collar, we did achieve a perfect fit, but its more of a horseshoe shape.  I was drowning in paper towel throw-aways by the time I was happy with this pattern.  So far there hasn't been one dress or outfit pattern I've designed that I could use for another outfit.  Each is very unique in its style.

Polly's Yellow Chinese New Year Dress

Before I set out to make the gym clothing, I was playing around with how to get the white belt look of the dress.  I understood that it was most likely threaded through, so I made mock-up welt-pocket slits.  When I begin to actually make the dress tomorrow, I suspect there will be four of them (slits).  Two in the front, and two in the back, so the belt can come out the back slits and tie in a bow.  To make the inside of the dress neat, I will probably once again line it fully.  This really is the nicest way of achieving the perfect length hem with a smooth finish in a circular hemline.

Obviously we see that the collar piece needs to be cut about 3/8" longer so it can be hemmed under to the topside of the dress the way I did Mary Marie's.  Remember her?   (wink-wink)  Poor Mary Marie just doesn't have the exciting clothing Lettie and Polly have.  The most you can do to jazz them up, is use exciting fabrics.  I do intend to make her romper shortly, however I have to make this yellow dress before I bat another eye.  I love yellow, and spring is full of bright yellow wildflowers.  Its a high energy color and it makes me happy to work with it.

The best part will be in making the hat (teaching myself a new technique!), but we'll save this for my next entry when the dress is well on its way to completion.  By the way, the parasol has been finished for two months!  Wait until you see it!!

Love,
Miss E. Mouse

As soon as I unwind, I'll get started on the dress!

Creating Mossy

Tory and Mossy

Getting back to the root of the matter.  Its all about the creative process!  In this spirit, I wanted to share this darling Edwardian story by Jan Brett about a very special turtle named Mossy.  The story unfolds as Dr. Carolina and her niece, Tory, discover a very unique turtle who grows a garden on her shell.  Dr. Carolina takes her from her pond to put in a special museum display, just as Mossy meets an admiring turtle named Scoot.  Mossy becomes saddened and lonely in her vast terrarium, and Tory finds a way to keep the spirit of Mossy alive in the museum while returning her to her special pond and friend.

The Book

I belong to an online group called the LawtonLoop, where we share our love of Wendy Lawton dolls.  Each month we have a theme to play out, discuss and share photos of our dolls.  This month was favorite authors.  The group often shares only children's themes and authors, so I chose Jan Brett as my favorite of the month.

Mossy, the book, was given as a gift to me by my friend Betsy, who equally shares a passion for Brett's books.  I've been collecting Jan's books since the 1980's, and even went to a few of her book signings where she would draw a tiny illustration in our book then sign her name.  These were very dear events, and will be treasured in memory.

Close-up of Mossy

While considering what I might do for the theme this month, it came to me in a flash of spring sunshine that I might portray Tory and Mossy.  I knew I had the perfect 9" Lawton doll just for the task, and somewhere in my little hole in the wall, I had a wee ceramic turtle.  The turtle had been purchased as an accessory, years ago, for a Chinese doll I owned.  A few years ago I sold the doll, but retained her accessories as these are often special pieces I've either made or purchased and may not be available on the market any longer.  Lucky me, I found the turtle very quickly!

The Bus for the Tour

I had some floral moss that I've been stuffing tiny baskets with and glued a snip of this to the back of the little turtle's shell.  Then I clipped the stems off a few leaves and flowers I have stored for hat dressing.  Instant Mossy!  I dressed September Sojourn (Tory had red or strawberry blonde hair), in a little sailor outfit by Boneka.  Instant Tory!  It was a beautiful day outdoors so I scurried down to the woods and took a few photos that might illustrate Tory meeting her little friend.

While writing up the description on the group, I did a little research, which we all know I love to do, and found some charming photos of Jan's bus tour and one of her drawing Scoot at one of her signings.

Jan Brett's books are colorful and beautifully, lavishly illustrated.  The stories, fun and smart and sweet.  Thank you, Jan, for the inspiration!

Love,
Miss E. Mouse

Jan On Tour Drawing Scoot

Back Home Near Her Pond

Thompson's Drills and Marches

Fresh air and exercise!

For many of us, the vision of early Physical Education may have been watching Megan Follows, as the youthful Anne of Green Gables, exercising with her classmates in Miss Stacy's school yard.  Yet, Physical Education has long been a part of the thought that strong bodies build strong minds.  Stretching and marching and taking in fresh air was widely used for such a purpose back in the early 20th century.  One such book that promoted this practice with purposeful exercises was Thompson's Drills and Marches.  Now I can't be certain how effective some of these drills were in raising the heartrate, but with titles such as A Christmas Exercise, Doll and Waltz Drill, and Handkerchief Flirtation Drill, they were at best fun and got the girls moving!  This fabulous little volume from 1919, came to me this Valentine's Day from my lovely friend Marie.  It arrived just when I was in design mode for Lettie and Polly's Gym Wear.

What was even more dear is that there was an Imitation Dumb-Bell Exercise in the book, and this inspired me further with Polly's dumb-bells costume from Sheila Young's paper doll book.

Sheila Young's Design

I had so much fun designing these two outfits as for one, they both had fabulous voluminous bloomers, and my favorite, sailor collars!  Lettie's gym wear is lovely piece with what I will call the poet's shirt or perhaps painter's smock.  The top is belted and closed with a covered button and a handmade buttonhole (yes! I finally incorporated one), and she wears a floppy beret or pie hat, as I like to call them.  Lettie seems to be holding what could only be a football in the illustration (she is an American girl), and I was ever so lucky to find a real little one in the form of a keychain.  I had to remove the zipper and stitch the seam back up, but it was just so perfect for her. 

Polly's little uniform is dutifully nautical, or military in theme, with the appropriate sailor collar trimmed in ribbon, and a smart little pocket with a point-ended flap.  This blouse if fully lined and has equally smart little cuffs trimmed in ribbon.  Lettie's smock, however has facings due to the pretty, and a wee bit complicated, construction of design.  There was alot of fiddling and foodling in creating this one, and while I am not posting photos, I can assure you that several mock ups were made in its behalf.  Both blouse collars are then finished with silk ties. 

One surprising thing I did not expect was that I had to make the bloomers for both girls several times until I achieved the right "bloom".  Its amazing how much fabric pulls up when elastic is inserted through the waist seam.  Before the elastic, the pants would look like the ads featuring a slimmed down version of a lady holding up the pants she wore when she was 200 pounds heavier.  I am still not quite used to gauging pattern design, but again, when you're doing something completely different with each new outfit, its hard to refer to your experience.

And, how did I feel about using tans and browns?  Okay, let's be honest.  A country cotton brown, and tan, are pretty basic earthtone colors and don't create alot of pizzazz in theory.  But, make them up into cute little gym outfits from around 1919, and you don't even notice the color!

Lettie, it turns out, has great hand-to-eye coordination, and is mighty competitive in the school yard.  Polly's little dumb-bells make her pretty arms feel long and strong, and in turn give her wonderful ladylike posture.

Once again I will say that I thoroughly enjoyed making these outfits, and always feel that a doll never has enough casual dress or play clothing.  I did make my own Polly one of these gym wear outfits, but I'm not sure I'll make my Lettie this one.  There's a sort of scouting uniform, the same color as Polly's outfit, that I've been thinking about making for her.  I have plenty of both fabrics left, but there was so much hand-stitching to Lettie's!  And, needless to say, Lettie has far more to wear than Polly currently.

Easter is just a week away, and I so wished to make Polly the yellow "Chinese New Year" outfit.  We had a little snowfall in the Sierra a couple of nights ago, and I may just take a day off tomorrow and go snow pawing with my pups.  Each time I think one dress looks so like the other, when I begin designing it, it turns out to be quite another production.  There is no speed when it comes to this kind of work, so I can't promise her an Easter dress, but I may have to try. 

Love,
Miss E. Mouse

Cup Girls 1919

Gymnasium 1919

Calisthenic Wands 1874

Polly just got a hat on Sunday!