Mid September is nearly upon us. I can feel the change in the season as the sun sinks earlier in the evening, the patio is in shade until noon, the evenings are cool and the mornings a bit cooler. Pumpkins are showing up in giant bins in front of grocery stores. My husband cleared off the vegetable garden and the two cows next door got a treat of the pulled cornstalks. One year I'd made corn shocks and boy was
that a mess! I love this time of year. I don't think there's a season I don't enjoy, but I'm not quite ready to see summer go although I'm aware that her tail end is swishing its skirt out on the horizon.
It's been a month since I last posted a blog, and it feels good to be sitting here feeling another sense of accomplishment. There are difficult projects and then there are really difficult projects. This was one of them. After the 1930s Beach Pyjamas, I really wanted to make this Southwestern/Mexicana 1950s touring outfit from the Sporting Fashions book. I mean, what was there to this? A skirt and a peasant blouse. No biggie. Right?
Well, it's my conclusion that the reason this costume got into the museum book is that it ISN'T just a typical skirt and a peasant blouse, and the reason I wanted to make it for Lacie, is because it was so incredibly beautiful. The elements here are a skirt, blouse, a stamped leather bag, a belt, silver cuff bracelets, and a form of huarache sandal.
Every piece I was looking for to make this costume took days and sometimes weeks before the right one came in the mail. The skirt fabric came from an Etsy seller in Canada. Upon learning that I'd have to cut the scene from the middle of this half yard of fabric, I went to order the second half, only to be told she was no longer shipping to the U.S. But, I had an angel looking out for me and my Canadian friend stepped in to purchase it for me then send it along. The thing was, if I made a mistake, it was back to square one, so I really needed that second piece. I'm eternally grateful, although as it turns out, I didn't need it. In searching for the fabric, I was looking for content and color.
There was no way I was going to find a miniature version of the original in a fabric. I looked for five days before settling on the fabric I chose.
Other pieces collected for this costume were equally challenging to find, especially in locating the tiniest rick rack available. People kept sending me 1/4" rick rack and I needed what they call 1/8", but I think its tinier. And trying to sew down the middle of it is not for the faint of heart.
I'll talk about the other pieces further on, but while this fabric was finding its way to me at the start, I
did two things. I studied the blouse, and I began the shoes which I assumed would be the most difficult to make.
This blouse is simply one of the most enchanting boho items I've ever come across in a book or on a rack. It is not your run of the mill peasant blouse, and I found that out the hard way. If you really want to recreate something as accurately as possible, you have to study what you see, then think of how it was constructed, not to mention, make a pattern that will allow this.
With the shoes, I bought a pair of cork platforms from Facets Boutique. I deconstructed them to use the base, and make my own foot covers and straps. What I discovered is that the cork platforms are plastic or resin covered with a thin sheet of cork. Not a solid piece of cork. I like taking things apart to see how
they were made. If you ever do this, just be careful and warm them up in a heating pad to melt the glue so you don't tear the pieces as you pull them apart.
These huaraches, for lack of a better term, are slip-ons with a wide strap across the back of the heel. They're heavily braided or embroidered and I had to find a way to make a facsimile of them.
The strap fabric is also the same that goes around the entire foot with the patterned top as a separate piece.
I have a sewing machine that you can dial about 150 different embroidery patterns with, and I used a sort of double helix pattern on a brown striped cotton fabric that I have a ton of. The feet of this doll are long, but there's still not much room for embellishments when it comes to the top of the foot.
This is what I came up with. There's a sunburst on the top of the shoe and I did my best to get the stripes even enough that the larger dark stripe would be the edge. Fiddly work. This is ALL fiddly work.
And then there was the shoulder bag. It's a saddle bag for Pete's sake! Look at that wonderful little horse saddle that forms the flap of the bag! It's one of the most incredibly clever things I've ever seen. I want one for me just to hang on the wall!
I found this lovely Etsy seller that made tiny, stamped leather bags for Barbie and Hitty sized dolls and talked her into making me one in the correct scale for Lacie. She was intrigued by the saddle and thinks she'd like to try it as she has actually made miniature leather horse saddles before. Well, maybe someday if she does this, she'll contact me and I'll purchase it from her. In the meantime, she made me a lovely bag to go with the touring outfit, and I'm pleased. This kind of leather and tooling takes a mini leather shop to accomplish. I used to work at one for women's bags. I know what goes into something
She worked carefully with me to make sure the handle was the right length as well as the other dimensions. I love working with other artists who are willing to take on a commission because it interests them.
Just a little bigger. "Oh, it'll cost more!" Not really. But that's okay. The bag is not sewn, but tooled to look like stitching, then glued together. I love the bag and its perfect for Lacie.
I also spent a great deal of time finding Southwest silver cuff bracelets for the costume. Pinkie rings do the trick. If you recall, I had a heck of a time finding the right "rings" for the bangles used with the beach pyjamas. This was slightly easier as the seller made these to order. I gave her the length the flat metal should be and they came out great. One has a buffalo stamping and the other, the thunderbird.
I love southwest jewelry. I spent a great deal of time in the Southwest and in the Four Corners in roadside jewelry markets, as well as hiking red rock canyons.
The fabric arrived, and as I mentioned, to get the print I wanted, I had to cut from center and in the right width and length. It took me a day of the Nervous Nellies to actually do it. Only when my Canadian friend rescued me for that second piece, did I push forward.
What I really wanted was the look of the original skirt. And how was I going to get that? Well, after studying the skirt some more, I realized it looked painted. So that's what I did. I painted the upper and lower edges in a similar watercolor fashion to the original. Then, and only then did I fully read the description of the skirt, which I've attached in a scan at the bottom of this blog.
Guess what? The original skirt
was hand painted! I had to laugh. Not only that, but all those white spots that the camera caught were sequins. Ah ha! So, I decided that I must embellish the main characters with itty bitty 2mm sequins. Had a heck of a time
finding those, too. To get the look, I used the clear holographic sequins and sewed them on, one by one. Its kind of fun when you get in the rhythm of it. I read somewhere that bead and sequin work is in the same category as embroidery. No doubt, beads and sequins are much more forgiving. I have worked with sequins before, but this was the first time I did so comprehensively.
Since the main characters, the senorita and her admirer as well as the mules they're riding were embellished in the original, I did the same for the fellow in the Mexican hat, his little donkey laden with baskets and the palm tree behind them. Just enough. Not too much. It took me three days to embroider on the teeny tiny sequins on.
Close up.
Another accessory was the belt. This was the easiest piece to make for this costume. Black leather, prong backed silver sunburst conchos, and a gorgeous little buckle.
I needed a 1/2" buckle for this belt and hunted and searched for vintage ones. I ended up having to purchase a lot of 40 buckles just to get this one. And that is how much of this goes. A yard for an inch. You'll be able to see the sunburst conchos better in the photo of the costume from behind. Lacie has a very tiny waist, but I was able to secure five of the conchos onto the leather.
The costume.
From behind.
The last thing to get made was the impossible peasant blouse. Having never made one for a doll, especially one with a full collar, this took some effort, and I wore my thinking cap out. I wore these blouses in Junior High and in High School, and actually made them myself, but they were made by running elastic through the neck and the ends of the puffed sleeves. Bear with me here, because this is interesting.
I looked up vintage patterns to see the backs of the envelopes for the shape of the pattern. I was not going to find a doll pattern with this particular blouse, because the only one that exists, is the one I just made.
I actually bought a pdf of an American Girl peasant blouse/dress that was really cute, and it did was show me how to attach a full collar, flip it over, and sew a seam to run elastic through. Standard pleasant blouse stuff but with a collar.
However, if you go back to the original photo, you'll see rick rack on the sleeve edge and rick rack on the neck edge that are trims. Sew rick rack as trim on the neck of top with elastic and it's not going to stretch. Same with the sleeves. So how do you get it on the doll?
The answer to this was open the blouse at the back and sew a short seam at the bottom. Sew on the collar, flip it over, and run two gathering stitches to the top edge instead of using elastic. Stitch the gathers in place and attach the rick rack.
For the sleeves, add a tiny cuff to support the rick rack trim. Believe me, I studied this blouse down to the stitch. This was the only way to get this look. The collar is so long that it took me magnification to see the rick rack on the sleeve edge. I have a close-up photo above showing that tiny bit of sleeve.
The collar itself is a work of art and I really wanted to replicate it the best that I could. Starting at the bottom I made a tiny pick ruffle edged in green zigzag to finish it and added a row of orange rick rack. Then the black silk ribbon. Then the jacquard that I painstakingly removed the loopy edges from. And so on up the collar.
It was hard to determine how long the collar would be with all the flipping over and gathering, so after it was done, it all came out and I had to trim the collar and do it over again. I would never have been satisfied otherwise.
These two photographs illustrate the green rick rack on the neckline and puffed sleeves.
I added two red flowers to Lacie's blonde curls, slipped her shoes on and called it done.
This costume took me a month to make and a lot of time finding the right bits and pieces, but this is just one way I play dolls. It's worth putting in the time and effort when trying to replicate in miniature some of these fabulous outfits from this book.
I know what the next one will be, and the one after that. I'm hooked. It's something to do and it's fun to see something come to life like this from a book.
It's also time to start seriously thinking about Halloween and Christmas. I don't think I'll be making any costumes this year (I say that now), but I will decorate some areas and dress up some dolls that have costumes. And RRFF will be coming out with two new Halloween dolls. I'm in! I'm hoping we get Halloween costumes from the VDC for out dolls (wink wink).
The thing is, I'm on a roll, and when I get on a roll, as with these Sporting Fashion outfits, I need to see it through. I may not have the inspiration or drive for them down the road, so best take advantage of this energy. And there's the holidays coming up and I need to sew gifts. That's the 'bers! The months breeze by so quickly and before you know it, you're ringing in the new year.
I also have a birthday coming up next week on the 18th. Pizza. I want pizza! I'm turning 68 and it's a trip. I don't think of myself at such an age, but I made it this far and hope to keep going. Ruby Ho had a birthday on the 9th, and I was tickled to learn she was a Virgo, too. All that attention to detail is a typical Virgo trait.
Click on any of these images to see them in full size and do click on the Touring description below. It's fun to read. Until next time, enjoy this beautiful season watching summer into fall.